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The New Sub
About
“The New Sub†is a play on words. Yes, this film introduces Hazel Sage in her first appearance in a BDSM film.
But it’s actually far more than that. Without judging (even a little) anyone else’s lifestyle choices, some of us are ready to move on from the well-trodden “Yes, Daddy,†“Sir/Master†path, and all the other stuff that goes along with the classic portrayal of a woman submitting to a masculine figure in a power exchange.
In the “New Sub,†Hazel Sage demonstrates a very modern take on submission: a physically powerful and mentally strong woman who needs abso-fucking-lutely nothing from a man. She’s a woman in a state of grace, choosing to submit, however momentarily, to another human being as a pure gift of pleasure. Her portrayal in this film is a primitive, still under development exploration of that character, but you can clearly see where she is going with this and the result is jaw-dropping. Hazel’s erotic deadpan delivery in the first half of the film is intoxicating; her sexual performance in the second half is nothing short of explosive.
But it’s actually far more than that. Without judging (even a little) anyone else’s lifestyle choices, some of us are ready to move on from the well-trodden “Yes, Daddy,†“Sir/Master†path, and all the other stuff that goes along with the classic portrayal of a woman submitting to a masculine figure in a power exchange.
In the “New Sub,†Hazel Sage demonstrates a very modern take on submission: a physically powerful and mentally strong woman who needs abso-fucking-lutely nothing from a man. She’s a woman in a state of grace, choosing to submit, however momentarily, to another human being as a pure gift of pleasure. Her portrayal in this film is a primitive, still under development exploration of that character, but you can clearly see where she is going with this and the result is jaw-dropping. Hazel’s erotic deadpan delivery in the first half of the film is intoxicating; her sexual performance in the second half is nothing short of explosive.